K-Artists - K-ARTNOW
K-Artists
Carefully curates and introduces three representative artists from the Korean contemporary art scene each week since the 2000s.

NextGen:
3 K-Artists This Week

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New Artists

Exhibitions 《4 and one-half, knuckle》, 2021.11.18 – 2021.11.29, Art Space Hanchigak, Pyeongtaek 1. Two eyes. Two ears. One nose. One mouth. Two arms and two legs attached to a single torso, and five fingers and five toes connected to them. This is a “body.” With just this small list of words, we can be made to imagine a “body.” 2. Length of limbs, shoulder width and waist circumference, head size, hip size, weight n kg, height n cm. This is “someone.” Even if the body is the same, through these numerical values we can imagine a particular person.
2021.11.17
Exhibitions 《Random Play》, 2025.01.09 – 2025.01.19, Seoul Art Space Geumcheon PS333 《Random Play》 takes as its starting point the exhibition of the same title held in 2022. This project emerged from Daseul Song’s working method, which does not confine images and moving images to mere visual information but recognizes them as objects with volume, recontextualizing or decontextualizing each unit according to the environments through which they circulate.
2025.01.07

Emerging Artists

Exhibitions 《Receivers》, 2023.09.13 – 2023.10.21, DOOSAN Gallery DOOSAN Gallery is pleased to present Heemin Chung’s solo exhibition, 《Receivers》, from September 13 to October 21, 2023.
2023.09.01
Exhibitions 《Hexed, Vexed and Sexed》, 2023.11.03 – 2024.01.14, West Den Haag (Hague, NL) The title ‘Hexed, Vexed & Sexed’ points to the vexed freedom of women artists in the world today. It reclaims the Hex as a discipline of feminine intellect and politics, capable of transforming social circumstances from the inside out.
2023.09.20

Mid-Career Artists

Articles Gwon Donghyun × Kwon Seajung: Imagining Other Forms of Relationship Emerging from the Human–Animal Connection Gwon Donghyun (b. 1982) and Kwon Seajung (b. 1988) formed a collective in 2020 and have since explored and re-presented moments in which human and non-human subjects become entangled and interconnected through video, sculpture, and installation. Gwon Donghyun has primarily worked with sculpture, while Kwon Seajung has focused on installation and video; in their collaborative practice, the two complement one another by addressing what each medium alone cannot fully articulate.
2026.02.02

Late Mid-Career Artists

Exhibitions 《Night Landscape》, 2022.05.11 – 2022.07.31, Space ISU At night, a world entirely different from the day unfolds. When darkness descends and the streets grow quiet, the things that slumbered in daylight awaken and begin to move. The chirping of insects is heard; the smell and texture of the air are felt; trees and buildings appear larger.
2022.05.11
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Pre-Established Artists

Articles [Critique] How to inhabit Cyber Culture? It is indeed digital ‘revolution’, how rapid and immense changes the Internet communication network has brought into our lives—our way of thinking and our life styles. So-called, N-generation has witnessed the explosive growth of the IT industry in the 90’s.
2004
Activities Meekyoung Shin Selected for the 2nd Ha In-doo Art Award… “Internationality Rooted in Korean Identity” Meekyoung Shin (56), widely known for her distinctive “soap sculptures,” has been selected as the recipient of the 2nd Ha In-doo Art Award. Recognized for an international artistic language grounded in Korean identity, Shin has been named the second laureate of the award.
2023.06.26

Established Artists

Articles Artist Ik-Joong Kang Connects the World Through the Art Since his first year abroad in 1984, the artist, who had been working part-time and attending school at the same time, carried several small 3-inch (7.6cm×7.6cm) canvases in his pocket and worked on them on the subway in his spare time.
2024.09.03
Articles [Critique] Digital Landscapes by a Second-Rate Artist "I wanted to make fake photographs that are extremely meaningless because I was really irritated by words and theories surrounding art. I wished my photographs to be meaningless, empty, and completely nonsensical."
2002