K-Artists
Carefully curates and introduces three representative artists from the Korean contemporary art scene each week since the 2000s.
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3 K-Artists This Week
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Articles
WONJEONG DEPARTMENT STORE: Drawing Unstable Fantasies into the Body and the Screen
WONJEONG DEPARTMENT STORE (b. 1999) explores desire for fantastical images and the ways these images connect the body to the world, primarily through media installations and performance. Drawing fleeting and unstable fantasies into the body and onto the screen, the artist experiments with bodily sensations experienced both online and offline.
2026.01.12
Exhibitions
《Cost of Recovery》, 2020.06.16 – 2020.07.18, CR Collective
As the viewer enters the exhibition hall containing 《Cost of Recovery》, they encounter a situation in which green windows color what would be normally a gray space, and an installation that captures the scene of some working environment is laid out in a somewhat dry manner.
2020.06.15
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Exhibitions
《From Berlin to Seoul: Crossing Horizons》, 2023.07.07 – 2023.08.24, CHOI&CHOI Gallery, HORI Artspace, and AIF Lounge, in collaboration with Bermel von Luxburg Gallery
CHOI&CHOI Gallery, HORI Artspace, and AIF Lounge, in collaboration with Bermel von Luxburg Gallery, present 《From Berlin to Seoul: Crossing Horizons》. The exhibition celebrates a significant milestone in the cultural exchange between Germany and Korea, marking 140 years of artistic dialogue, collaboration
2023.07.07
Articles
Artist Cho Duck Hyun Revives the Faded Memories
Cho Duck Hyun (b.1957) is known for his drawings in pencils that resemble black and white photographs, and installation works based on the drawings. Cho reconstructs the vestiges of the past through his artworks and focuses on the existence and fate of individuals within the larger Korean modern history.
2024.07.23
Articles
[Critique] On Living and Disappearing: Lee Gapchul
Lee Gapchul is a fortunate photographer. He is one of the rare artists whose work is deeply understood by a wide audience. When his photography began opening toward a singular world in the 1980s, he was already sharing a poor yet passionate life with fellow artists in a dark room in Seongnam, and his work was never ignored by critics.
2007
