K-Artists
Carefully curates and introduces three representative artists from the Korean contemporary art scene each week since the 2000s.
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3 K-Artists This Week
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Articles
[Review] A Flower Which Can't Even Be Seen: Excavating Footprints
The solo exhibition of Sungoo Im's 《A Flower Which Can't Even Be Seen: Excavating Footprints》, aims to explore the language and structure of Yi Sang's poem, "Cliff", leaving behind traces of the drawings which cross boundaries of the two dimensional and the three dimensional.
2022.08.31
Articles
[Essay] A Light Monologue
Last year, the armful or so of Korean pine I’d amassed felt like dots, scattered here and there through my workshop. Take away one section, and another would appear.
2023
Articles
[Column] The Place of Beautiful and Sparkling Objects
Hannah Woo has consistently created installation works that construct narrative spaces using fabric as the primary material. These include landscapes populated by clusters of rods of various shapes, as in 《SWINGING》 (Wangsan-ro 9-gil 24, 2018);
2020.10.09
Exhibitions
《But some day, one day, soon》, 2021.03.03 – 2021.03.31, DOOSAN Gallery
DOOSAN Gallery Seoul proudly presents 《But some day, one day, soon》, a solo exhibition by artist Woosung Lee, from Wednesday, March 3 to Wednesday, March 31, 2021.
2021.03.01
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Articles
[Critique] Paper-Brush-Ink, Modernity, Body
Planet is a good index of the themes and ideas Jaeho Jung’s paintings intend to convey and his artistic attitude. Through a rough terrain over which large flakes of snow fall diagonally a steam train is rushing to the right out of the picture plane.
2018
Exhibitions
《PENETRALE》, 2019.10.16 – 2019.11.30, P21
From October 16 to November 30, 2019, P21 presents Hyungkoo Lee’s solo exhibition 《PENETRALE》. This is his first solo exhibition in four years since 2015, featuring two new works produced in 2019—Psyche up Panorama (2019) and X (2019)—each installed in one of P21’s two exhibition spaces.
2019.10.15
Exhibitions
《Intimate Sisters》, 2022.08.29 – 2022.09.30, Duson Gallery
Yeesookyung’s work gathers discarded and wounded things to resurrect them as new beings, presenting fragments of life related to wounds and healing. By dismantling traditional forms and rebirthing them through a contemporary sculptural language, her work offers a visual meeting point between tradition and modernity.
2022.08.29
Articles
[Critique] To Live, or to Write
The subtitle of Ahn Kyuchul’s exhibition 《Invisible Land of Love》 carries an unmistakably somber tone. The word “country,” modified by that adjective, evokes the fissure carved between society and the state—a fissure that has generated absence and dispossession, and that has given rise to countless events and disasters that should never have occurred.
2015
