K-Artists
Carefully curates and introduces three representative artists from the Korean contemporary art scene each week since the 2000s.
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3 K-Artists This Week
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Exhibitions
《Fragile Constellation》, 2023.10.03 – 2023.10.15, AnnPaak Space
As I imagine Yezoi Hwang clutching fragments of poetic verses, nights resurface in which she whispered “sleep well” to me. Nights when I fell asleep held by the love contained in those words. Hwang dismantles the boundary between exhaustion and repetition, and with those fragments, she connects a constellation.
2023.10.03
Articles
Artist Taewon Ahn: Exploring Identity Between the Internet and Reality
Taewon Ahn (b. 1993), also known by the name ppuri, has been transforming rapidly circulating digital images—such as internet memes—into physical forms through painting and sculpture. Ahn regards the internet not merely as a virtual space, but as a new kind of material network shaped through the interactions between humans, environments, and technology. Within this framework, the artist sensually explores and expresses the complex relationships that emerge in digital space.
2025.05.19
Articles
Artist Joeun Kim Aatchim: Painting that Layers Memory and Emotion
Internationally known also under the working name Aatchim, Joeun Kim (b. 1989) continues her practice of expressing layered memories and emotions through the use of translucent silk. Through a painterly process of constructing multilayered surfaces, the artist renders visible memories rooted in complex personal histories, encompassing pain, care, and love.
2026.03.23
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Activities
Minouk Lim Received Asia Arts Game Changer Award
Artist Minouk Lim has received the Asia Arts Game Changer Award. The awards ceremony was held on May 16, 2024, at the Asia Society in New York. Previously awarded to figures such as Xu Bing, Lee Ufan, and Takashi
2024.05.16
Articles
[Critique] Lee Inhyeon’s Reflections on ‘Viewing Painting’
If the obsessive desire to render three-dimensionality upon a flat surface propelled Western art history since the Renaissance, then painters after Manet exhibited another kind of obsession—the compulsion to return to flatness.
1996
