K-Artists - K-ARTNOW
K-Artists
Carefully curates and introduces three representative artists from the Korean contemporary art scene each week since the 2000s.

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3 K-Artists This Week

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New Artists

Exhibitions 《Protect Me From What I Want》, 2024.03.22 – 2024.05.26, Seoul National University Museum of Art This exhibition willingly embraces two flashpoints: myth and museology. Ours is, indeed, an era of fully realized myths—mythologized capital, mythologized consumption. This is not a warning siren against the “technovirus-like spread of financial capitalism,” though it is not entirely unrelated.
2024.03.20
Exhibitions 《The Vanishing Horizon: Episode.02》, 2024.05.17 – 2024.06.16, WWNN 《The Vanishing Horizon》 unfolds as a two-part exhibition series aimed at illustrating the dystopian landscapes of our era. If the previous exhibition delved into the multifaceted issues confronting contemporary society, such as science, technology, capitalism, and value systems, this iteration shines a spotlight on
2024.05.16

Emerging Artists

Articles Artist Nosik Lim: Paintings Traces of Sensations Collected Through Bodily Experience Nosik Lim (b. 1989) creates paintings that translate moments perceived, felt, and captured through the body onto the canvas. The artist states that his geographical background has had the greatest influence on his practice. His paintings begin with a process of retracing everyday spaces tied to personal memories, including places from his childhood.
2025.07.07
Exhibitions "Madang: Embracing You" on View Through January 28, 2024, at Suwon Museum of Art Suwon Museum of Art presents a 2023 contemporary art exhibition, Madang: Embracing You. This exhibition imagines the museum as a ‘madang (yard)’ in order to create the museum as a place where the audience and art meet.
2023.09.27

Mid-Career Artists

Exhibitions 《Quizás, Quizás, Quizás》, 2017.08.28 – 2017.09.24, Amado Art Space In 《Quizás, Quizás, Quizás》, the artist has created a series of drawings based on their personal experiences accumulated over time.
2017.08.26

Late Mid-Career Artists

Exhibitions 《META PICS》, 2018.09.05 - 2018.10.13, UARTSPACE 《META PICS》 is a mixed word with ‘META’ and ‘PICS’. ‘META’ means ‘Picture about Pictures’, and ‘PICS’ is an abbreviation of ‘Pictures’, including ‘Photos’ and ‘Images’. By the early 20th century, the camera acted as a tool to represent a real life and the photo was considered as a substitute for an actual object.
2018.09.03
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Pre-Established Artists

Articles [Critique] ROLLlNG FOG: Memories of things which never were My first encounter with Sunny Kim’s ‘Girls in Uniform’ series was from her 2001 Gallery Sagan exhibition. At the time, her work, which mostly originated from documentary sources suggestive of standardized types, was transformed to deliver an artificial formality akin to graphic images.
2010
Exhibitions 《The Other Face of the Moon》, 2017.10.27 - 2018.02.04, National Asian Culture Center In 《The Other Face of the Moon》, 22 individuals and teams across Asia from the worlds of contemporary art, design, and architecture showcase their new creations, which are inspired by the collections of the Museum of European and Mediterranean Civilisations (Mucem).
2017.10.16
Activities 120 Million Won ‘BTS Painting’
2019.07.12

Established Artists

Exhibitions 《Learning Machine》, 2013.06.27. - 2013.10.16, Nam June Paik Art Center 《The Learning Machine》 exhibition which was inspired by the educational implications of ‘art as experience’ created by Fluxus artists in the 1960s is intended to show ‘art’ as a field of teaching and learning. These artists experimented in a new relationship between ‘an artist creating experiences’
2013.06.25
Articles [Critique] On Living and Disappearing: Lee Gapchul Lee Gapchul is a fortunate photographer. He is one of the rare artists whose work is deeply understood by a wide audience. When his photography began opening toward a singular world in the 1980s, he was already sharing a poor yet passionate life with fellow artists in a dark room in Seongnam, and his work was never ignored by critics.
2007