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Articles
[Critique] Lee Gapchul’s ‘Conflict and Reaction’
Beautiful things overflow everywhere. Whether in painting or photography, everything is uniformly polished and decorative. Added to this are countless works that recycle long-dead Western specters from half a century ago, lazily attaching the unfounded modifier “Korean.” This is the result of aligning art with consumer taste and monetary pleasure—a distorted byproduct of a contemporary art scene in which marketability itself becomes the aesthetic standard.
2013.10.07