
Kim Ye-sung, Artistic Director of the 2027 Cheongju Craft Biennale © Cheongju City
On July 20, the Cheongju Craft Biennale
Organizing Committee announced the appointment of curator Kim Ye-sung as the
Artistic Director of the 2027 Cheongju Craft Biennale, which will mark the
event’s 15th edition.
Selected following a proposal presentation
and review process from among three candidates recommended by a 21-member
executive committee, Artistic Director Kim Ye-sung (b. 1978) holds degrees in
Ceramic Art and Art History from Ewha Womans University, the University of the
Arts London (UAL), and the Royal College of Art (RCA).
She earned her Ph.D. in Plastic Arts from
Ewha Womans University, specializing in ceramic theory and exhibition planning.
She has served as a curator for the Korea Ceramic Foundation, Bonte Museum,
Korea Craft & Design Foundation (KCDF), and the 2025 Stockholm Craft Week
Korean delegation, among others.
She is widely recognized as a seasoned
"rising curator" with extensive experience in the domestic and
international craft sectors, notably curating the 2026 KCDF traveling craft
exhibition, 《Shared Assets》.

Appointment Ceremony of the Artistic Director for the 2027 Cheongju Craft Biennale (left: Lee Jang-seop, Chair of the Organizing Committee and Mayor of Cheongju; right: Kim Ye-sung, Artistic Director). © Cheongju City
Director Kim, who first collaborated with
the Biennale as a lead curator in 2023, has been appointed as the youngest
Artistic Director in the history of the event. She has declared the theme for
the 15th Cheongju Craft Biennale to be "Back to Human."
In the era of Artificial Intelligence,
where AI has permeated human life and the realm of art, and in a time of rapid
upheaval marked by war and the climate crisis, this theme embodies a cultural
practice aimed at reflecting on how we engage with the world. Through
"craft"—which is fundamentally connected to human spirit, senses, and
emotions—it seeks to redefine our relationships and attitudes.
"It is an honor to join the Cheongju
Craft Biennale, which serves as both an essential platform for surveying
contemporary craft trends globally and a vehicle for sharing the cultural
identity of Cheongju, a city of craft, with the world," said Director Kim
upon her appointment.
She added, "The theme 'Back to Human'
does not mean returning to the past; it is a declaration by the Cheongju Craft
Biennale to reconsider the essence of humanity in an age centered on technology
and efficiency. I intend to demonstrate how we can confront the world and each
other with new attitudes, and how craft can reawaken the senses and connections
in our daily lives."

Installation view of 《Hyundai Translocal Series: Entangled and Woven》, a special exhibition of the 2025 Cheongju Craft Biennale. © Hyundai Motor Company
As the event approaches its 30th
anniversary, the appointment of the youngest-ever director signals a new leap
forward and transformation. Expectations are especially high as this will be
the first Biennale since Cheongju was designated a UNESCO Creative City of
Crafts.
Accordingly, the Organizing Committee plans
to solidify Cheongju's international standing as a city of craft by expanding
the existing international academic symposium into a multidisciplinary academic
event and international workshop that bridges diverse fields such as
humanities, architecture, design, and science.
The committee also announced that Poland
has been selected as the guest country. In cooperation with the Adam Mickiewicz
Institute (IAM), an international cultural exchange organization under the
Polish Ministry of Culture and National Heritage, this partnership is unique;
unlike previous editions where guest countries operated with independent themes
and curations, this edition will share the Biennale’s overarching theme,
further proving Cheongju’s status as a UNESCO Creative City of Crafts.
The 2027 Cheongju Craft Biennale is
scheduled to be held for 60 days, from September 2 to October 31, 2027, at the
Cultural Manufacturing Plant area.








