Exterior view of the M+ Museum Facade in Hong Kong / Photo: Travel
WeeklyM+, Asia’s global
museum of contemporary visual culture located in Hong Kong’s West Kowloon
Cultural District, announces the upcoming M+ Facade commission Dancer
in the Mirror Field (2025) by Korean artist Ayoung
Kim (b. 1979).
The work will be screened nightly on the M+ Facade from 3 October
to 28 December 2025, commissioned jointly with Powerhouse,
Sydney, and supported by presenting sponsor Julius
Baer, the leading Swiss wealth management group.
A Futuristic
Competition and the Pursuit of Optimisation
A scene from Ayoung Kim’s Dancer in the Mirror Field
/ Photo: Powerhouse, SydneyDancer
in the Mirror Field is a speculative
fiction film exploring technology, labour, and identity. Set in a
futuristic city, the film depicts an annual competition organised by a delivery
service platform seeking the individual with the most optimised movements.

A scene from Ayoung Kim’s Dancer in the Mirror Field / Photo: Powerhouse, Sydney
Coordinated by a
mysterious entity, the contest reflects on society’s fixation with efficiency
and the performative effects it imposes on human bodies under technological and
economic systems of control.
The protagonist, Ernst
Mo—an anagram of “monster”—appears in three different versions
that compete in spaces where past and future intertwine.
Following algorithmic instructions, the three Mos begin in a massive structure
resembling a high-tech gladiatorial coliseum,
inspired by Hong Kong’s sleek shopping malls, and continue through a neon-lit
parallel-universe Hong Kong in a dramatic chase sequence.
Visual
Language and Digital Cross-Referencing
Throughout the
film, motifs from Kim’s previous works reappear alongside digital
cameos of real objects from the collections of M+ and Powerhouse.
Employing motion capture, 3D game-engine rendering, and AI-generated imagery,
the work extends Kim’s acclaimed fiction series ‘Delivery Dancer’
(2022–ongoing).
A scene from Ayoung Kim’s Dancer in the Mirror Field
/ Photo: Powerhouse, Sydney Visually, it
draws inspiration from classic 1980s Hong Kong action cinema and the animated
series Aeon Flux (1991–1995), reflecting how human
bodies and perception are reshaped within regimes of mechanical efficiency.
Expanding
International Collaboration
The film will be
presented nightly on the M+ Facade in Hong Kong and will travel in 2026 to Powerhouse
Sydney as part of a major exhibition examining 《Mall Culture》.
Powerhouse Museum, aerial view. Currently undergoing major
renovation / Photo: PowerhouseThis commission
exemplifies cross-institutional collaboration between leading Asian and
Oceanian museums and demonstrates how Kim continues to expand her fictional
universe on a global stage.








