Heiner Goebbels, The Fish Will Have to Learn to Walk on Land, 2025 ©Busan Museum of Contemporary Art

The Busan Museum of Contemporary Art, in collaboration with the National Museum of Modern and Contemporary Art, Korea (MMCA), is presenting the exhibition 《Busan MoCA Performing Arts: Green Shivering》 through June 15.

《Busan MoCA Performing Arts: Green Shivering》 is the Busan Museum of Contemporary Art’s new initiative exploring the roles and potentialities of contemporary art. Focusing on the diversity of performing arts, this exhibition presents works of overlapping media such as installation, video, performance, and sound art. It also encourages new perspectives on the complex layers and significance of ecology—particularly forests—taking Eulsukdo Island as its axis.

Lee Jade Sujin, Polyphony Club: Put flesh and blood on the wind, 2025 ©Busan Museum of Contemporary Art

The philosopher and ecological theorist Timothy Morton (b. 1968) offers intriguing insights into contemporary times in his book Hyperobjects: Philosophy and Ecology After the End of the World. He states that “there occurs a crazy arms race between what we know and what is,” and we have now entered “the age of asymmetry.”

This suggests that the long-held belief in anthropocentric thinking as a guiding force toward a seamless future is no longer valid. Morton’s discussion prompts a renewed reflection on the complex entanglements between humans and nonhumans, as well as the uncertainties of the future.


Kwak Sojin, Moving Ground, 2025 ©Busan Museum of Contemporary Art

In this exhibition, five artists from Korea and abroad—Kwak Sojin, Kim Unknown, Lee Jade Sujin, Im Goeun, and Heiner Goebbels—reinterpret contemporary ecologies through their artistic practices, responding to questions about an uncertain future.

Their exploration of Eulsukdo Island, the site of the Busan Museum of Contemporary Art, extends beyond the local environment and towards a global ecological sensibility. Through experiences that shift between broad and minute perspectives and obfuscate the boundaries of reality and imagination, this exhibition challenges viewers to reconsider their presupposed beliefs.

Performance/Exhibition-Related Program Schedule ©Busan Museum of Contemporary Art

Starting with the opening performance, the exhibition will present various related performances and workshops from May to early June, offering visitors diverse ways of approaching the themes in the exhibition. For more details, please visit the Busan Museum of Contemporary Art’s official website.

Participating Artists: Kwak Sojin, Kim Unknown, Lee Jade Sujin, Im Goeun, Heiner Goebbels