Museum_News
Yoo Youngkuk Retrospective at SeMA
Yoo Youngkuk Retrospective at SeMA
Becomes Museum's Most-Visited Exhibition
Yoo Youngkuk Retrospective at SeMA Becomes Museum's Most-Visited Exhibition
2026.11.03
Gallery_Exhibition
Jaehong Ahn’s Solo Exhibition “Shells and Stems” on View Through November 21, 2026, at WWNN
Jaehong Ahn’s Solo Exhibition “Shells and Stems” on View Through November 21, 2026, at WWNN
2026.11.03
Auction
Seoul Auction’s 《2026 AUCTION SHOW》: From Fine Art Auctions to the Broader Collectibles Market; Diversifying the Auction Business by Bringing Together Contemporary Art, Luxury Goods, and Collectibles
AuctionSeoul Auction’s 《2026 AUCTION SHOW》: From Fine Art Auctions to the Broader Collectibles Market; Diversifying the Auction Business by Bringing Together Contemporary Art, Luxury Goods, and Collectibles
A Team | 2026.11.03 A Team | 2026.11.03
Museum
Cho Duck Hyun: From the Representation of Memory to the Materiality of Time;
A Team | 2026.11.03
A Team | 2026.11.03
Cho Duck Hyun (b. 1957) is among the artists who gained prominence as Korean contemporary art expanded its engagement with the international art world in the 1990s. Beginning with meticulous pencil and Conté crayon drawings based on old black-and-white photographs,
Cho Duck Hyun: From the Representation of Memory to the Materiality of Time; The Internationalization of Korean Contemporary Art in the 1990s, the Aesthetics of Photographic Drawing, and 《MNEMOSYNE – A River of Memory》
Museum
Cho Duck Hyun: From the Representation of Memory to the Materiality of Time;
The Internationalization of Korean Contemporary Art in the 1990s, the Aesthetics of Photographic Drawing, and 《MNEMOSYNE – A River of Memory》
A Team | 2026.11.03
A Team | 2026.11.03
Cho Duck Hyun (b. 1957) is among the artists who gained prominence as Korean contemporary art expanded its engagement with the international art world in the 1990s. Beginning with meticulous pencil and Conté crayon drawings based on old black-and-white photographs,
Art+
Design House’s 50th Anniversary Exhibition 《MAK》, 50 Years of Korean Design Culture:
A Team | 2026.11.03
A Team | 2026.11.03
Design House, which has contributed to the development of Korean design culture through specialized publishing and cultural content, celebrates its 50th anniversary with the exhibition 《MAK》.
Design House’s 50th Anniversary Exhibition 《MAK》, 50 Years of Korean Design Culture: New Possibilities for Creative Experimentation
Art+
Design House’s 50th Anniversary Exhibition 《MAK》, 50 Years of Korean Design Culture:
New Possibilities for Creative Experimentation
A Team | 2026.11.03
A Team | 2026.11.03
Design House, which has contributed to the development of Korean design culture through specialized publishing and cultural content, celebrates its 50th anniversary with the exhibition 《MAK》.
Biennale
Special Interview with Jessie Kleemann: Women’s Work and Memory in Kamiit, Kalaallit Illuutaat Pavilion at the 16th Gwangju Biennale
Special Interview with Jessie Kleemann: Women’s Work and Memory in Kamiit, Kalaallit Illuutaat Pavilion at the 16th Gwangju Biennale
Jay Jongho Kim | Editor in Chief | 2026.10.27 Jay Jongho Kim | Editor in Chief | 2026.10.27 K-ARTNOW conducted a special written interview with Jessie Kleemann, a Greenland-born, Denmark-based artist participating in Kalaallit Illuutaat (Greenlandic House), a pavilion of the 16th Gwangju Biennale.
Biennale
Jessie Kleemann's 《Kamiit Walking》 at the Gwangju Biennale: Life, Labor, and Communal Memory in Boots Inherited from Family
Jessie Kleemann's 《Kamiit Walking》 at the Gwangju Biennale: Life, Labor, and Communal Memory in Boots Inherited from Family
A Team | 2026.10.27 A Team | 2026.10.27 At Huigyeongru in Gwangju, a path made of coffee grounds has been laid out, and brightly colored boots are placed along it.
Art+
South Korea’s 2027 Visual Arts Budget:
Art+
South Korea’s 2027 Visual Arts Budget:
KRW 101 Billion (Approx. USD 75.8 Million), Questioning the Effectiveness of Public Policy in Advancing Korean Contemporary Art
Art+
South Korea’s 2027 Visual Arts Budget: KRW 101 Billion (Approx. USD 75.8 Million), Questioning the Effectiveness of Public Policy in Advancing Korean Contemporary Art
Jay Jongho Kim | Editor in Chief | 2026.11.03 Jay Jongho Kim | Editor in Chief | 2026.11.03 The Ministry of Culture, Sports and Tourism (MCST) has proposed a budget of KRW 101 billion (approximately USD 75.8 million) for the visual arts sector in 2027. This figure includes infrastructure projects such as the Danginri Culture and Creation Hub.
Art Theory
The Conditions of the Post-Contemporary and
Art Theory
The Conditions of the Post-Contemporary and the Future of Korean Contemporary Art (20):
Jay Jongho Kim | Editor in Chief | 2026.10.27
Jay Jongho Kim | Editor in Chief | 2026.10.27
In “Global Standards (I),” we examined the forms, institutions, discourses, and systems of circulation shared across global contemporary art through the framework of the “globalization of form and localization of content.” “Global Standards (II)” explored how the expansion of international participation can also lead to the standardization of artistic expression and the criteria by which art is evaluated.
The Conditions of the Post-Contemporary and
the Future of Korean Contemporary Art (20):
Global Standards (III) — Korea as a Site of Production
in Global Contemporary Art: The Conditions
Art Theory
The Conditions of the Post-Contemporary and the Future of Korean Contemporary Art (20):
Global Standards (III)
— Korea as a Site of Production in Global Contemporary Art: The Conditions
Jay Jongho Kim | Editor in Chief | 2026.10.27
Jay Jongho Kim | Editor in Chief | 2026.10.27
In “Global Standards (I),” we examined the forms, institutions, discourses, and systems of circulation shared across global contemporary art through the framework of the “globalization of form and localization of content.” “Global Standards (II)” explored how the expansion of international participation can also lead to the standardization of artistic expression and the criteria by which art is evaluated.
Nonprofit
